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During the Eurovision Song Contest in Basel, one word seems to echo everywhere: sauna. While the northern Swiss city isn't typically associated with steamy, wood-paneled retreats, the Finnish village of Vörå certainly is. This year, three performers from there have brought sauna culture center stage at Eurovision. The group KAJ — pronounced “kai” and named after the initials of its members — is currently the top contender to win the continent-wide competition with their song “Bara Bada Bastu,” a playful homage to heat and steam that roughly translates to “just take a sauna.” Though KAJ is representing Sweden, its members hail from neighboring Finland, a nation of 5.5 million people and home to an astonishing 3.3 million saunas. The trio belongs to Finland’s Swedish-speaking minority. Their Eurovision act features a woodland cabin-style set, with dancers clad in either lumberjack outfits or oversized white towels. The performance is packed with a catchy chorus, energetic choreography, and a single, repeated word — “sauna!” — that fans now shout at the group wherever they appear. “The Eurovision bubble is a great bubble to be in,” Jakob Norrgård told The Associated Press on Thursday. He’s the J in KAJ, alongside fellow band members Kevin Holmström and Axel Åhman. Norrgård said that he expected Eurovision to be a welcoming environment, “but not this friendly. This is a bit over the top.” McDonald's to hire 375,000 workers in the US this summer The band members’ only regret is that they haven’t had a sauna since arriving in Basel for Eurovision, which ends Saturday with a grand final that will see acts from 26 countries compete at Basel’s St. Jakobshalle arena for the continent’s pop crown. Holmström said that the band is delighted to be an ambassador for sauna culture. “It’s a thing I really endorse,” he said. “It’s good for people. It is good for me, for both my mental and physical health, and (it’s) also a very social event.” KAJ was formed in 2009 and built a strong local following with humorous songs in Vora’s local dialect. Not long ago they were performing at birthday parties and in town halls of their home region. They entered Sweden’s national Eurovision selection contest, Melodifestivalen, thinking it might get them some gigs in Sweden. They unexpectedly won that contest, and their performance in Saturday’s Eurovision final is likely to be watched by more than 150 million people. The Eurovision winner will be decided by a mix of public voting and points from national juries. Victory for KAJ would give Sweden a record eight victories since the contest was founded in 1956, adding KAJ to a list of Swedish winners that includes ABBA. It would also mean a huge amount to Swedish-speaking Finns, who make up about 5% of Finland’s population — and to sauna enthusiasts. Sauna-lovers from Vora — along with the Finnish city of Tampere, which bills itself as the sauna capital of the world — drove a mobile sauna 1,500 miles (2,500 kilometers) to Basel, parked it near the Rhine and opened it to the public for free during the weeklong Eurovision festivities. A dip in the chilly river after working up a sweat was optional. It sparked the kind of cultural cross-fertilization that fans say is the essence of Eurovision. At the pop-up sauna, local Swiss people steamed and chatted with Finns, a Canadian and others. When KAJ dropped by for a visit, they were mobbed by selfie-seeking fans. “I love Finnish sauna culture, because it celebrates the freedom of choice,” said Dorothee Schulte-Basta, a Vora resident who traveled to Basel with the mobile sauna. “There are no rules in the sauna. Come as you are — everyone’s equal in the sauna.” Finnish politicians have long used saunas, relaxed but exposing, as an ideal setting for hard talks, a practice known as “sauna diplomacy.” KAJ wear drab suits onstage in tribute to Urho Kekkonen, a long-serving Finnish president who famously deployed the technique in talks with Finland’s overbearing neighbor the Soviet Union. KAJ never thought a lo-fi song about rural saunas would take them so far at a competition known for electro-pop, outrageous outfits and over-the-top staging. “When you sit there on the stage and the song is about to start and you see all the LED screens, the millions of lights, and we’re just three dudes sitting and grilling a sausage, the contrast is so funny,” Norrgård said. “And that’s exactly our type of humor — you shouldn’t be doing this, this is so stupid. It’s funny. It’s really cool as well.”      

Ukrainian band Kalush Orchestra won the Eurovision Song Contest in the early hours of Sunday in a clear show of popular support for the war-ravaged nation that went beyond music. Ukrainian President Volodymyr Zelenskyy welcomed the victory, Ukraine's third since its 2003 Eurovision debut, and said “we will do our best” to host next year's contest in the hotly contested port city of Mariupol. He underlined “Ukrainian Mariupol,” adding: “free, peaceful, rebuilt!” "I am sure our victorious chord in the battle with the enemy is not far off,'' Zelenskyy said in a post on Telegram messaging app. Kalush Orchestra's front man, Oleh Psiuk, took advantage of the enormous global audience, last year numbering more than 180 million, to make impassioned plea to free fighters still trapped beneath a sprawling steel plant in Mariupol following their performance. “Help Azovstal, right now,″ Psiuk implored from beneath a bright bucket hat that has become the band’s trademark among fans. He later told a news conference that people can help by “spreading information, talking out this, reaching out to governments to help.” Kalush Orchestra's song, “Stefania,” was the sentimental and bookmakers' favorite among the 25 competing performers in the grand finale. The public vote from home, via text message or the Eurovision app, proved decisive, lifting them above British Tik Tok star Sam Ryder, who led after the national juries in 40 countries cast their votes. The 439 fan votes is the highest number of televote points ever received in a Eurovision contest, now in its 66th year. Psiuk thanked the Ukrainian diaspora and “and everyone around the world who voted for Ukraine. ... The victory is very important to Ukraine. Especially this year.” “Stefania” was penned by Psiuk as a tribute to his mother, but since Russia's Feb. 24 invasion it has become an anthem to the motherland, with lyrics that pledge: “I’ll always find my way home, even if all roads are destroyed." Kalush Orchestra itself is a cultural project that includes folklore experts and mixes traditional folk melodies and contemporary hip hop in a purposeful defense of Ukrainian culture. That has become an even more salient point as Russia through its invasion has sought falsely to assert that Ukraine's culture is not unique. “We are here to show that Ukrainian culture and Ukrainian music are alive, and they have their own and very special signature,'' Psuik told journalists. The plea to free the remaining Ukrainian fighters trapped beneath the Azovstal plant by Russians served as a somber reminder that the hugely popular and at times flamboyant Eurovision song contest was being played out against the backdrop of a war on Europe’s eastern flank. READ: 15 bands keep fans on their feet at Dhaka Rock Fest 2.0 The Azov battalion, which is among the plant's last 1,000 defenders, sent their thanks from the warren of tunnels beneath the plant, posting on Telegram: “Thank you to Kalush Orchestra for your support! Glory to Ukraine!” The city itself has been the site of some of the worst destruction of the 2 1/2-month war, as Russia seeks to secure a land bridge between separatist-controlled Donbas and Crimea, which it annexed in 2014. The six-member, all-male band received special permission to leave the country to represent Ukraine and Ukrainian culture at the music contest. One of the original members stayed to fight, and the others will be back in Ukraine in two days, when their temporary exit permit expires. Before traveling to Italy, Psiuk was running a volunteer organization he set up early in the war that uses social media to help find transportation and shelter for people in need “It is hard to say what I am going to do, because this is the first time I win Eurovision,'' Psuik said. ”Like every Ukrainian, I am ready to fight and go until the end." . While the support for Ukraine in the song contest was ultimately overwhelming, the contest remained wide open until the final popular votes were tallied. And war or not, fans from Spain, Britain and elsewhere entering the PalaOlimpico venue from throughout Europe were rooting for their own country to win. Still, Ukrainian music fan Iryna Lasiy said she felt global support for her country in the war and “not only for the music.” Russia was excluded this year after its Feb. 24 invasion of Ukraine, a move organizers said was meant to keep politics out of the contest that promotes diversity and friendship among nations. Back in Ukraine, in the battered northeastern city of Kharkiv, Kalush Orchestra’s participation in Eurovision is seen as giving the nation another platform to garner international support. “The whole country is rising, everyone in the world supports us. This is extremely nice,″ said Julia Vashenko, a 29-year-old teacher. “I believe that wherever there is Ukraine now and there is an opportunity to talk about the war, we need to talk,″ said Alexandra Konovalova, a 23-year-old make-up artist in Kharkiv. “Any competitions are important now, because of them more people learn about what is happening now.” Ukrainians in Italy also were using the Eurovision event as a backdrop to a flashmob this week to appeal for help for Mariupol. About 30 Ukrainians gathered in a bar in Milan to watch the broadcast, many wearing a bright bucket hat like the one Psiuk sports, in support of the band. “We are so happy he called on helping to save the people in Mariupol,'' said lawyer Zoia Stankovska during the show. “Oh, this victory brings so much hope." The winner takes home a glass microphone trophy and a potential career boost — although Kalush Orchestra's first concern is peace. The event was hosted by Italy after local rock band Maneskin won last year in Rotterdam. The victory shot the Rome-based band to international fame, opening for the Rolling Stones and appearing on Saturday Night Live and numerous magazine covers in their typically genderless costume code. Twenty bands were chosen in two semifinals this week, and were competing along with the Big Five of Italy, Britain, France, Germany and Spain, which have permanent berths due to their financial support of the contest. Ukrainian commentator Timur Miroshnichenko, who does the live voiceover for Ukraine’s broadcast of Eurovision, was participating from a basement in an undisclosed location, rather than from his usual TV studio. “On the fifth or fourth day of the war, they shot our TV tower in Kiev,” he said. To keep broadcasting, “we had to move underground somewhere in Ukraine.” Showing Eurovision in Ukraine was important, online and on TV, he said. “This year, I think it’s more symbolic than ever,” Miroshnichenko said. Ukraine was able to participate in the music contest “thanks to the Armed Forces of Ukraine and the resistance of our people,” he said.